Saturday, November 23, 2013

Darcy on the Hudson - Background and Research #4 - Hindeloopen Folk Art

When traveling the Hudson River Valley, the Dutch influence can be seen in brick buildings with gambrel and stepped roofs, in the decorative arts in fireplaces and kitchens lined with Delft tiles, and heard in the words the Dutch left behind: crollers, cookies, gherkins, and cole slaw. But the Dutch also brought with them a distinctive style of folk art called Hindeloopen.

Charles Bisschop*
According to Dutch Proverbs by Holly Flame Heusinkveld and Jean Carris-Osland, "Hindeloopen was a thriving seaport on the Zuider Zee in northwest Netherlands. During the Baroque and Rococo periods, guild and self-taught painters lavished their decoration skills on painted wood surfaces, such as furniture and walls, in an attempt to brighten home interiors and add inspiration to their surroundings. Hindeloopen villagers developed a distinct style of painting. Drawing from the scrolls of the Baroque period, the exotic birds of East Indian art, and the stylization of flower forms, the Hindeloopen painters came up with unique folk art forms. The objective was to fill a space, be it a table leg, door panel or storage chest, with flowers and berries or birds, in a stylized fashion."

In an early draft of Darcy on the Hudson, Jane Bennet had painted a firescreen decorated in the Dutch folk art tradition that was greatly admired by Charles Bingley. It ended up being deleted, but I thought I would share the research.

*Christoffel Bisschop, Wiki Loves Art / NL project, organized by Wikimedia Nederland and Creative Commons Nederland.

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