Reclining Figure from Cyclades Islands

I know that I have a tendency to be all over the place, and today is no exception. When I studied art history, I was very taken with the art of the Cyclades Islands,* and a fine example of Cycladic sculpture is this figure of a reclining woman. Looks very modern, doesn't she? But she was carved in 2400 B.C.!

Nazi Loot - What Might Have Been Lost

After posting yesterday's review of The Venus Fixers, I found another work on the same subject:  Saving DaVinci. On its cover, the piece of artwork being held by the American soldier is Da Vinci's Lady with an Ermine. "In 1939, almost immediately after the German occupation of Poland, it was seized by the Nazis and sent to the Kaiser Friedrich Museum in Berlin. In 1940 Hans Frank, the Governor General of Poland, requested that it be returned to Kraków, where it hung in his suite of offices. At the end of the Second World War it was discovered by Allied troops in Frank's country home in Bavaria. It has since returned to Poland and is once more on display at the Czartoryski Museum in Kraków." (Wikipedia)

American GI admiring a triptyck propped up against a wall above a bathroom sink! Note the painting resting near the pipe! I hope it didn't leak.

The Venus Fixers by Ilaria Dagnini Brey - A Review

In 1943, the Allies appointed the Monuments Officers, a group of art historians, curators, architects, and artists, to ensure that the masterpieces of European art and architecture were not looted or bombed into oblivion. The officers of Italy shored up tottering palaces and cathedrals, safeguarded Michangelos and Giottos, and even blocked a Nazi convoy of stolen paintings bound for Goring’s birthday celebration. Sometimes they failed, but to an astonishing degree they succeeded. (from the back jacket)


The Venus Fixers by Ilaria Dagnini Brey is the remarkable tale of a small group of men who were attached to the British and American Armies for the purpose of preserving and restoring the art and monuments of Sicily and Italy. The task was daunting. Every village had a church or monument or piazza in need of preservation. The cities of Naples and Florence were mother lodes of artwork and monuments sitting in the midst of an active theater of operations. But in some cases, before they could make damage assessments, the Venus Fixers had to find the artwork first.

To protect the artwork, paintings and sculptures were taken out of the cities and moved into the country to thickly walled churches or medieval fortresses where they would be safe. Or would they?